Up until a few months ago, my Twitter account was sleeping. I had once used it for my online business (hence my username @thecushionlady) which is now defunct, but I read somewhere how important social media is when you’re querying and publishing your work and figured I needed to prod it awake.
I am so glad I did. Over the past few years I have written two and a half novels and numerous short stories. This year I have focused on editing my second novel, Crone, and I’ve had three short stories accepted for publication. I am finally at the stage, of submitting Crone to agents and publishers.
This is a huge and nerve-wracking step – certainly for me anyhow. I also find it a slow process because I research the agents first. I need to know I would trust them to nurture and sell a novel that is quite precious to me. You’d think that any writer would jump at any opportunity to be published, but I feel I need to get it right. With that in mind I spend ages writing a covering letter, tweaking the synopsis and the requested number of chapters and agonising over everything I’m sending.
What a comfort Twitter is then! There are writers galore going through exactly the same thing and you can learn so much from them. By seeing their tweets on my timeline I’ve found out all about how to post snippets from my #WIP (work in progress) and about twitter pitching.
Let’s take sharing snippets first. Most days there is a way of sharing what you’re writing. My preferred three are #2bitTues #1lineWeds and #Thurds. There is generally a theme posted and you scan your #WIP for lines that match. I have come to see this as excellent editing practice. Trying to get a sentence into 140 characters can be a real challenge and you quickly recognise words that are redundant, and how you can make things more succinct and to the point.
Twitter pitching contests are actually great fun. Again there are a variety, and they pop up every few weeks or so. The idea is that you pitch to interested agents and publishers, again using 140 characters, along with a genre identifier, and age (so in my case #A #H = adult and horror).
The first one I did was for #PitchCB – a British literary agency and I was ridiculously nervous. I had high hopes and great expectations but they sadly came to naught. That was my first lesson.
I had a look at pitching techniques though and quickly learned some useful stuff. I will write more about that at some stage.
After that I tried a few US based pitching contests, and some of these are exciting – I’ve really enjoyed them on the whole. It’s important to check out the guidelines of course, as there are rules. You can usually post several tweets, and then sit and watch as reams of other writers’ tweets articulate a book’s heart and soul in a tiny amount of space. It’s fascinating and occasionally I think “Wow! I want to read that!” There are so many talented writers out there, you know? I’ve been lucky. I have had a few bites, and Crone is now out there querying in the USA following interest from US based agents and publishers, which I’d never considered before!
I use the Twitter pitching alongside my normal querying – but again sporadically. I think Crone is currently out with a combination of 8 agents and publishers. I don’t want to send the novel here, there and everywhere. I’ll take a break and consider any feedback I get (if I get any) and then try again.
The final point about using Twitter as a writer is that most writers are happy to share the love. You can like and retweet any genius you come across, and they will respond in kind when you nail a tweet about your #WIP. I’m loving it and I’ve made some great new friends. Give it a try and feel free to follow me!