thewritersbarn

Writing because words are the essence of my life.


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Valentine for a Canine: When horror turns soft

 

HerbieThere are many complex relationships in my debut novel, Crone. I agonised over the relationship between Heather, my protagonist, and University researcher Trent, because I didn’t want her to be so wrapped up in him that she couldn’t then focus on defeating the evil at the heart of the novel. Crone isn’t a love story after all, and I didn’t need Heather to be a woman who loses herself at the merest hint of testosterone. I certainly didn’t want her to become a weaker sidekick.

That’s not to say that Trent isn’t perfectly adorable. He’s intelligent, brave, thoughtful and supportive, but he’s also the non-believer, preaching caution when Heather has wild ideas, and when her desire for revenge starts to burn her up inside. They make a good couple – the perfect yin and yang.

Fortunately, there are two other men in Heather’s life who balance Trent’s influence, otherwise Crone may have been a very different story and genre! The first is her dead teenage son, Max. At the beginning of Crone, Heather has largely disassociated herself from the world, and her bereavement has alienated her from any pleasures in life. The third relationship, and perhaps the most important to her when the novel opens, is Pip, her aging and scruffy lurcher dog.

Crone BRAG

I have several friends who have suffered the loss of a child or children. How do I know them? Through our mutual love of dogs. Observing from a distance, I feel that their dogs have given them a reason to carry on. Pets in this instance are not a substitute for children by any means, but they provide a necessary outlet for love.

As humans, most of us have an infinite capacity to give love in one form or another. When the life of someone you care about is wiped out, you find yourself floundering around, unsure of how to define yourself (a child who loses her parents is an orphan, but parents who lose children? What name do we give them?). In addition, society loses interest in the bereaved after a while, and we politely ignore ongoing sorrow. In the UK, we expect our emotionally wounded to ‘keep calm and carry on’. Outwardly, in Crone, Heather is coping, but really all she is doing is putting one foot in front of another … and remembering to breathe.

Pip gives Heather a two-way conduit for her love. He provides a reason for her to get up in the morning. By get up, I don’t mean wake up – note, because Heather doesn’t sleep. She lies awake wondering why her son is dead and she is alive. Pip is the reason Heather visits the supermarket. He needs to eat, so she’s shopping for him, but then she remembers to buy food for herself too. Pip helps Heather to bond with Trent, because Pip is ecstatic when Trent is around.

In the first draft of Crone, Pip didn’t make it through a particularly horrible encounter in the forest, but in the end I couldn’t do that to Heather. It just felt too unnecessarily cruel, and besides I’m a soft touch. It was a good decision in retrospect because a number of readers have told me how much they worried about him, and loved his presence in the story.

Beautiful Pip was based on my own Bedlington Terrier X Lurcher, Herbie. When I began writing Crone, Herbs, my constant companion, was alive and well and always under my desk, nudging my knee when he wanted my attention. By the time I’d published it, he was gone prematurely. It seemed fitting that I memorialise him in Crone, as a remembrance of one of the important relationships in my own life, as well as Heather’s.

I struggled so badly with the loss of Herbie that I wrote a book that was part tribute, and part support for others affected by dog bereavement. Losing my Best Friend is my most consistent seller, and every copy sold makes me eternally proud of my beautiful boy.

Happy Valentine’s Day canines everywhere ❤                losingmybestfriend

Useful links

Buy Crone myBook.to/CroneJW

Buy Losing my Best Friend myBook.to/LosingMyBestFriend

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https://twitter.com/Thecushionlady

https://www.facebook.com/jeanniewycherley/


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If you go down to the woods today: Cover reveal – CRONE

 

If you go down to the woods today you’re sure of a big surprise. The East Devon countryside is the setting for Jeannie Wycherley’s debut novel – think dense and ancient forest on the Jurassic coast and you’ve pretty much got the idea.

Jeannie was driving home one night from Sidmouth to Ottery St Mary underneath the dense overhanging canopy, when she wondered how she would react if she saw a strange woman in the undergrowth. This quickly became the inspiration for the malevolent Aefre, who is at the centre of the novel’s evil misdoings.

Heather Keynes’ teenage son died in a tragic car accident. Or so she thinks. However, deep in the wilds of the Devon countryside, an ancient evil has awoken … and is intent on hunting the residents of Abbotts Cromleigh.

No-one is safe.

When Heather takes a closer look at a series of coincidental deaths, she is drawn reluctantly into the company of an odd group of elderly Guardians. Who are they, and what is their connection to the Great Oak? Why do they believe only Heather can put an end to centuries of horror? Who is the mysterious old woman in the forest and what is it that feeds her anger?

When Heather determines the true cause of her son’s death, she is hell-bent on vengeance. Determined to halt the march of the Crone once and for all, hatred becomes Heather’s ultimate weapon. Furies collide in this twisted tale of murder, magic and salvation.

Edited by Amie McCracken, and with a fabulously unnerving cover design by Jennie Rawlings at Serifim.com, Crone will appeal to a cross section of readers who enjoy fantasy, horror and women’s literature. With a female protagonist and an eerie female protagonist, Crone is unlike anything you’ve read before.

I’m hugely excited that Crone will be available soon, with this amazing cover to creep you all out, so follow me on Twitter @thecushionlady, or on Facebook @Jeanniewycherley, or follow my blog. Watch this space!


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Three shorts

I’m busily gearing up to publish my debut novel Crone, which is wonderfully exciting (and a bit ohmigerd at the same time) but then remembered there are other fab things on the horizon – namely the release of three short stories this month.

The first one is The Fly Man, which I’ve self-published to Kindle using my pseudonym. You can find The Fly Man on Amazon.co.uk, or on Amazon.com. It’s a hot, erotic story, that is very loosely (VERY) based on a work placement experience I had in the last millennia. There was a gorgeous theatre technician, and Peter Gabriel was singing Sledgehammer on the TV when I needed to borrow a sticking-plaster, and alas that’s it. I wrote it for a submission call but unfortunately it was rejected. I happen to think it’s a great story, and the anthology I wrote it for never saw the light of day, so what the hell … please enjoy.

The second short story was also rejected for an anthology (this time regrettably and for length) and I happen to think it is one of the best things I’ve written. The Municipality of Lost Souls (the short story version) deserved a home, and thankfully The Society of Misfit Stories gave it one for which I am so grateful. After I’d finished writing this story, it just wouldn’t leave me alone, and so I am currently 70,000 words into the novel length version, with some new characters and a more in-depth plot. I am really enjoying the writing of this. The short version will be available from Amazon on 17th February 2017.

The Municipality of Lost Souls is the first story to be published under my married name. I decided that a surname like Wycherley, however it is acquired, was too good to keep under wraps and I want to publish Crone using my own name, so from now on, all my non-erotic stories will be under my name, and I’ll keep good old Betty Gabriel for the other stuff.

The final short story for the month is An Encounter with Old Duir, appearing in the Sirens Call Ezine, Women in Horror Month Special. This is my favourite market – they gave me my first break and have been so supportive over the past few years. The amazing thing is, the whole E-zine is free. All that reading and you don’t pay a penny.

An Encounter with Old Duir is a special story. After I lost Herbie last summer it took me months before I could find any inspiration to write. It seemed impossibly hard. I would sit at my desk and stare out of the window, lost in sadness, until one day I noticed the hill across the valley and the trees on top of it … and bang! A new horror story was born.

Other things on the horizon

March is going to be alternately stressful and mind-bogglingly awesome, as the publication date for Crone comes nearer. I haven’t settled on a date – everything has to come together, and as this is my first time, I’m not clear on how long it will take. April 1st seems fitting though – we’ll wait and see!

I should have a cover reveal for Crone soon though. Jenny Rawlings at Serifim is designing my cover, and I’m dancing with anticipation.

Crone is off to my editor, Amie McCracken, for some TLC. I’m at the stage where I could weep with the editing of it. I can’t see the wood for the trees, and there is a LOT of forest in Crone.

And I have a new website in the offing. I’ll still be copywriting, but I’m not actively looking for new clients, so I figure I need to big up my creative writing.

Keep your eyes peeled! More on Crone as I have news to share!


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Last Post from The Bunker

This is my last post from The Bunker. That sounds more dramatic than it actually is. The Bunker is the name I gave to our Bungalow when we moved in here 16 months ago. It was a nickname entirely lacking in affection, because I didn’t particularly like the house, or the area where we hurriedly found ourselves after being given notice unexpectedly by our previous landlord. The place seemed unappealing to me – atop a huge hill, and several degrees colder than the rest of Devon, with unadopted roads, and miserable squat grey houses. Bunkers.

As I type this, everything is packed with the exception of the dogs and the teabags. I have my laptop but no pens. A washing machine but no line. Most of our stuff has already been moved. We have a bed for example, but no bedside cabinets. The freezer is defrosting; the oven is sizzling away in some toxic chemical that will miraculously remove the grease inside allowing me to wipe it all clean with one single piece of kitchen roll. 

We have finally achieved what we have waited for, for over three years. When I was made redundant in 2012, I set in motion a chain of events that triggered my husband leaving his job, and us selling our lovely house in Derbyshire so we could finance buying a business in Devon, that would obviously pay us enough so that I could write full time and sell all my novels and live happily ever after. Fairy tales.

We thought that in no time at all we would be back on the mortgage ladder. But none of that happened. The gap between the cost of housing in Derbyshire and that in Devon is beyond ridiculous. It’s been a struggle. All of this time we dreamed about having our own place again, where we could paint the walls whatever colour we chose and put all our art back on the walls instead of storing it in bubble wrap in the loft. We wanted somewhere secure to live, where the landlord can’t chuck you out on a whim, or announce an inspection just because, or hike the rent up higher than a family would pay out in monthly mortgage payments.

And here we are! I should be ecstatic but I’m not. Almost but not quite.

The new house is lovely. It’s sunny, it’s airy; it has the most magnificent views of the rolling countryside around here, and if you sit at one spot in the garden you can actually see the sea. It’s beautiful. The garden is so magically overgrown that when you stand at the back door, because we’re on a hill, it’s a bit like being above the tree canopy. The hill falls away into the valley and then rises once more on the horizon. I’ve decided to nickname this house, ‘The Treehouse’.

But as I sit in The Bunker typing this final Bunker blog, my thoughts return again and again to a furry grey fellow who came into this house with me in good faith. This was never meant to be the last place that Herbie lived. He should have been seeing out his last years (always 5 or 6 more in my mind) in The Treehouse; steadily and gently declining, with grace and love, and my soft hands to guide him. We were robbed.

I am loathe to leave The Bunker, because the weather is still nice enough for me to sit on the back step and remember how he and I cuddled up when I knew his time was closing in. As the glorious days of summer grew bleaker, infused as they were with his horrible final illness, I sat on the step and watched him with love and a deathly fear of his loss. He meandered around the shrubs and trees, doing his deeds, sniffing and patrolling and setting the world to rights. And I’ll always remember how he came back to me for reassurance, looking up at me with such love and trust, always living in the present. I made it a ‘thing’, a ritual that had to be performed every evening while he was ill. Without fail. As soon as I arrived home from the shop. Until the night that I sat alone and wept when he’d been gone just 8 hours, and I couldn’t hold his soft furry head again or smell his warm scent, or bury my face in the fur on his neck.

I’ve been dreading this final day here and now it’s upon me. I know I’ll never be able to sit on that blasted step again and conjure him to me. I’ll never spend any more time in that garden. I’ll never know what he looked like next to that bush or that tree, as he lifted his head and sniffed the wind. From now on Herbie will always be a ghost in my mind, a memory replayed over and over, a name I still can’t say without a sudden hitch in my breathing. I can’t see him in the new garden because he has never visited it.

But I learned a lesson years ago, when I was in India with my then soon-to-be husband. A wise man told us, “The Gods will provide,” and that has become the mantra that my husband and I live by. When the time is right good things happen. We’ve have been waiting 6 long months to complete on our little house. In February when we applied for the house, Herbie had a bit of a cough. I wasn’t worried. But that nagging illness spiralled. If we had completed the house on a normal schedule, we would have been trying to move when he was at his most poorly in June. The ‘Gods’ held us up. They waited for Herbie to live his life, calmly and quietly, and cross the Bridge. They waited for me get through the worst of my grief (if I even have) so that I could organise the move and put the requisite amount of energy that was needed, into it. And they waited until I could fully appreciate the beauty of The Bunker, and the land of clouds and forest, before they let me move on.

I could never have written my novel, Crone, anywhere else but here, and while so far publication has been elusive, I believe this is a novel that will see the light of day, and people will come to know the countryside that spawned the story, and love its mystical qualities as much as I have. Just this week I had my #PitchCB rejection through from Sophie Lambert at Conville and Walsh. She said, “There’s a rather wonderful mystical and lyrical quality to the prose here and there’s a very intriguing core to the narrative”. Of course it was accompanied by a ‘but’, but I’ll take that feedback with sincere gratitude. I believe in Crone, because it is a story born of East Devon and it is rooted here, and it has a truth.

So, I’ll save Crone to yet another memory stick, and I’ll bubble wrap my memories of Herbie in the garden, and hold them to me just as tightly as any of my other possessions, and carry them with care. And I’ll count my blessings for all that The Bunker has gifted me. Tonight as the gloaming settles around me, I’ll pause to reflect on my precious boy, and I’ll cry, of course I will. But I’m allowed to, I loved him. I loved him here. It will be the Last Post for Herbie.

And onwards then … Let’s see what transpires in The Treehouse, with The Writer’s Apprentice, shall we?

 


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P is for pegs, porridge, pants …and puppies

I can’t deny that having a puppy is a joyous, wondrous thing. Although my heart is heavy and my eyes prickle with tears often as I walk the fine line between grief and a new love in my life, I am blown away by The Writer’s Apprentice. I laugh aloud often. He is such a fabulous character. And a total liability!

He’s 9 weeks tomorrow, so I do expect the toileting mishaps and I don’t mind them at all. He’ll get there and I already think he’s pretty good. I am trying to teach him ‘sit’, but only every now and again. I’m not sure he even knows his name yet, so first things first.

Oh yes. We decided to call him Finley. We tried out Georgie (as his Dad was called ‘Best’ and Georgie Best seemed fun) but it didn’t fit him. We also tried Sydney, and Chilli, but again, no joy. Finley came to us because we sell a limited edition Suki Silver Tag Teddy Bear in the shop called Finley and they look alike. Like peas in a pod. Kind of. Except one is a teddy bear and one is a real dog… I know. Ha! So Finley it is and it’s perfect. Fin for short. Not that he’ll be short, far from it.

Puppies … how quickly we forget the trials and tribulations. The chasing around after them, tripping over them, the comical angle of the head, the sudden nerves and lack of confidence after blissful boisterousness! Not forgetting the tendency to go from 100 mph super zoomies to complete snoring exhaustive obliviousness in less time than it takes to check the spelling of boisterousness.

Tassels. What is it with puppies and tassels? I never knew I actually had quite so many clothes with tassels on them. At the moment I don’t have a wardrobe, because we live in a rented house that doesn’t have built in wardrobes, and as it’s only a temporary shelter, we haven’t bought any. My clothes are on a clothes rail. The puppy has selected several items that he thinks require pulling and chomping on. These have tassels. I have also just caught him chewing on the poncho thingie I wear when it’s cold and I’m writing. This has tassels. Of course it does. I channel my inner hippie well. I need to take a long hard look at my life.

Porridge. Porridge is to puppies, what heroin is to people. You apply porridge to a crazed four legged fluffy creature, sit back, and watch their docility increase exponentially. In Finley’s case this morning, he ate all his porridge, plus Betsy’s. The result? A happy napping puppy till midday. Betsy ate Satin’s porridge. Satin – ever hard done to – had to settle for some goat’s milk. Now the effects of porridge have worn off, Finley is awake, and chewing on … you’ve guessed it – tassels.

My laundry. I managed to get some washing done. This was a feat in itself. Finley kept running off with pants. Initially he wanted a bed sheet but this was too big for him, so he settled first for my pants and then for John’s. I had to keep going after him to fetch them back, only to return to the machine to find him scampering off with something new.

Once the washing was completed I went outside to hang it on the rotary spinner. Finley was introduced to the peg basket. Oh joy of joys – I remembered ‘the peg adventure’ with Herbie and Betsy. Plenty of my pegs are half gnawed. I shooed him away and started to hang the washing on the line. Herbie used to stand beside me while I did this and daydream about whatever it is dogs daydream about, always to my left, waiting for me to stroke his head, and ask “Alright, babe?” Finley didn’t have the inclination for daydreaming today though. He tugged at the sheet again which I was haplessly trying to attach to the line, and realising he wasn’t going to win, he skipped away. Once I’d finished what I was doing, I turned to see him lying contentedly in the grass with a purple peg between his paws, having a good old chew. I took it off him and he leapt away in delight, landing on a startled Satin, who was indolently sunbathing and minding her own business.

I had to giggle, but I did sympathise. Both Satin and I were a little hang dog when we went back into the house, worn out. Not Finley though. Oh no. He’s having a whale of a time.


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The Writer’s Apprentice

It was never a matter of if, and always a case of when, and so this weekend, my husband and I did a 530-mile round trip in 24 hours to collect a little bundle of fluff. We ummed and ahhed quite a lot. Was it too soon? Yes. Was he too far away? Definitely. Was I trying to find Herbie? Maybe. Was he the right dog? Who knows! But there he was, sticking his tongue out at me via the wonders of the Tinterweb, and I just knew he was the one. What if I let him pass and never found the right pup? I’m terrible for worrying about such things, and so insurmountable barriers had to be surmounted, and that’s what we did.

It’s a bizarre thing to be grieving for your BFFF (see previous post) and yet to be cradling this tiny ball of wonder. He is a salve to my crushed heart, Aloe Vera for my burning soul. But that’s not to say the pain of Herbie’s loss has faded, because it really, really hasn’t. This morning I had a puppy on the bed for the first time in years, and although I was knackered and it was far too early, he was funny and he made me laugh … and then my eyes strayed to the bedroom door where Herbie would have stood and issued a cool stare that said, “Are you getting up then, or what? I want my walk.” It’s been the same every morning since that final day (17 days now actually, not that I’m counting). My eyes flick there and he’s not there, and that’s when I weep for the first time every day, without fail.

But I’m going about my business better than I was, trying to catch up on the backlog of work.

Then mid-afternoon, a song came on the radio that I like and I picked the puppy up and cradled him and we had a little dance and I sang gently in his ear, my lips close to his soft cheek, and it was joyous to be in the moment with him … and I cried like a baby for the boy I used to do that with. Even fully grown (and he was quite a big lad, my Herbie) he LOVED to do that. We would pretend he was a puppy all over again.

And just now, I sat in the sunshine with a cup of tea after exploring the garden with the puppy and then I cried, because the sky was so beautifully blue and the sun so warm, and my sweet Herbie is dust in a casket in the living room, his name beautifully engraved on a brass plaque. And I miss him. I bloody miss him.

So, a puppy? What the hell was I thinking of?

Puppies are chaotic, but their development is incredibly swift. So far, in 24 hours, he has learned how to do the steps to outside. He knows where the water bowl is. He can do wee wees and poo poos in the garden, but has the occasional accident in the hall. He comes when I call, ‘puppy’. We haven’t finalised his name quite yet. He’s a marvel.

He has explored all the rooms, but is still a little shy about certain things and follows me around like a tiny fluffy shadow. Our old dog (Satin) is a sweetheart; she’s Grandma – gives him a wash when she can be bothered. Our Bedlington Terrier (Betsy) is having a right mard because: a) we left her in kennels overnight while we raced up country and how very, very dare we! And b) “I’m the puppy!”

Now she knows how Herbie felt when we brought her home. Bless her.

I have remembered how to do ‘the puppy shuffle’. This involves walking around as though wearing a large nappy, so that when he dives between your feet there’s enough space so that you don’t crush him to death, or kill yourself when you trip over him. His teeth and nails are like razors. My legs are covered in scratches because he likes to jump up at me. I like all of this.

I’m constantly confused about what and how much he needs to eat. I have a feeling he could just eat all day, but surely that wouldn’t be good. I need to take advice on this. Betsy was a big eater, Herbie wasn’t. Puppy is going to make 22-25 inches so he’ll be pretty big.

I laughed out loud (and alone) when puppy dashed out of the kitchen with the tea-towel clamped in his jaws. I’d just dropped it and off he flew, superfast. Jesus. This boy is going to be a Usain Bolt. I was less enamoured when he decided he preferred my specs (Gok Wans – bought when I actually had a salary and could afford decent specs!) to his chewie toy however, and rapidly retrieved them, only to find he had them again the next time I looked his way. And he has an obsession with paper … he finds it, he tears it up …

My specs. Paper.

Where is he now? Sound asleep (at last!) on my left hand side as I type at my desk. Let me repeat that. On my left hand side. Do you have any idea how that makes me feel? You will if you read my last blog.

He’s amazing and beautiful, I love him already, which is not to dishonour Herbie’s memory in any way. I hope not anyhow. I love Herbie as much as I ever did.

Let me introduce you to The Writer’s Apprentice. I think I’m going to cry again.


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The joy of joining Twitter’s writing community

Twitchpit

Twitter for writers!

Up until a few months ago, my Twitter account was sleeping. I had once used it for my online business (hence my username @thecushionlady) which is now defunct, but I read somewhere how important social media is when you’re querying and publishing your work and figured I needed to prod it awake.

I am so glad I did. Over the past few years I have written two and a half novels and numerous short stories. This year I have focused on editing my second novel, Crone, and I’ve had three short stories accepted for publication. I am finally at the stage, of submitting Crone to agents and publishers.

This is a huge and nerve-wracking step – certainly for me anyhow. I also find it a slow process because I research the agents first. I need to know I would trust them to nurture and sell a novel that is quite precious to me. You’d think that any writer would jump at any opportunity to be published, but I feel I need to get it right. With that in mind I spend ages writing a covering letter, tweaking the synopsis and the requested number of chapters and agonising over everything I’m sending.

What a comfort Twitter is then! There are writers galore going through exactly the same thing and you can learn so much from them. By seeing their tweets on my timeline I’ve found out all about how to post snippets from my #WIP (work in progress) and about twitter pitching.

Let’s take sharing snippets first. Most days there is a way of sharing what you’re writing. My preferred three are #2bitTues #1lineWeds and #Thurds. There is generally a theme posted and you scan your #WIP for lines that match. I have come to see this as excellent editing practice. Trying to get a sentence into 140 characters can be a real challenge and you quickly recognise words that are redundant, and how you can make things more succinct and to the point.

Twitter pitching contests are actually great fun. Again there are a variety, and they pop up every few weeks or so. The idea is that you pitch to interested agents and publishers, again using 140 characters, along with a genre identifier, and age (so in my case #A #H = adult and horror).

The first one I did was for #PitchCB – a British literary agency and I was ridiculously nervous. I had high hopes and great expectations but they sadly came to naught. That was my first lesson.

I had a look at pitching techniques though and quickly learned some useful stuff. I will write more about that at some stage.

After that I tried a few US based pitching contests, and some of these are exciting – I’ve really enjoyed them on the whole. It’s important to check out the guidelines of course, as there are rules. You can usually post several tweets, and then sit and watch as reams of other writers’ tweets articulate a book’s heart and soul in a tiny amount of space. It’s fascinating and occasionally I think “Wow! I want to read that!” There are so many talented writers out there, you know? I’ve been lucky. I have had a few bites, and Crone is now out there querying in the USA following interest from US based agents and publishers, which I’d never considered before!

I use the Twitter pitching alongside my normal querying – but again sporadically. I think Crone is currently out with a combination of 8 agents and publishers. I don’t want to send the novel here, there and everywhere. I’ll take a break and consider any feedback I get (if I get any) and then try again.

The final point about using Twitter as a writer is that most writers are happy to share the love. You can like and retweet any genius you come across, and they will respond in kind when you nail a tweet about your #WIP. I’m loving it and I’ve made some great new friends. Give it a try and feel free to follow me!

 

 


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The Trouble with Freelancing Part 3

I'm a twit too

I’m a twit too

Hi all

As promised here’s the letter that I wanted to share with you. I found it on another website http://www.winwithoutpitching.com/why-i-charge-more when I was doing some research during the week and I sat and pondered for quite a while about what I thought about it.

Anyway, here’s the text:

Why I Charge More

A Designer’s Open Letter to His Future Clients

January 5, 2011 at 12:15 pm by Blair

Sometimes we do it for the money, don’t we? The irony is that the less money we’re paid, the more likely we are to be doing it for the money. When we’re paid well, it’s suddenly about something much bigger. Here’s a letter you might take, modify and use in many forms and many ways.

It’s yours if you’d like it. No need to attribute.

“The more I charge you, the more pressure I put on myself to perform for you.

Freelancing quandaries

Freelancing quandaries

“The client who grinds me on price is the least satisfied. He gets less attention from me and is most likely to be pissed off at me. And I don’t really care, because to be honest, I resent him. The very fact that he is on my roster reminds me that I’m part prostitute. For him, I’m doing it for the money and as it isn’t very much money I’m not troubled by not doing it well. He pays me a paltry sum, I perform poorly, he gets angry and I resent him. We can have that type of relationship if you like.

“The client who pays me the premium gets my best work. He’s the one I wake up in the middle of the night thinking about, wondering if I’m doing all I can to earn his money. When he calls, I jump. Hell, I call him first. I take pride in moving his business. I try to make myself indispensable to him. I imagine that he winces when he opens my bill (he doesn’t say), but he thanks me for all I do for him. He’s the one I worry about.

“I’m great at what I do, but if someone hires me without giving me the resources (money, time, access) to do a great job, it’s easy for me to rationalize poor performance. When a client gives me everything I ask for, he removes all the obstacles to a high quality outcome. There’s no way for me to rationalize anything less than perfection.

“There is no greater pressure than the pressure I put on myself, and the only way you can add to my own sense of pressure is to pay me well. Yelling won’t do it. Neither will threatening to pull your business. My deep sense of obligation comes from you paying me well enough to dispatch all of the excuses. Then I have to prove to you, and, more importantly, to me that I am as good as I say I am.

“So, I’ve given you my price and it’s the price that I need to charge to bring a deep sense of obligation to the job. Will I work for less? Probably. Can you negotiate with me? Sure. We can have that type of relationship if you really want me to be that type of designer and you want to be that type of client.

“Let’s just understand each other before we get started.”END

It’s interesting isn’t it? I’m kind of in two minds here. I would hope that I never give less than my best work but I have started to alter how I write my £10 articles. They get 30 minutes of research and 30 minutes of writing and a check over. Articles that I’m being paid more for get a lot more research, a lot more synthesis and I spend more time crafting my writing to match the client’s expectations.

Pen For Hire

Pen For Hire

I want to be proud of everything I write. My portfolio is growing at an incredible rate and I love getting new jobs with interesting challenges. At the end of the day I’m a pen and a creative brain for hire. I’m worth what people pay; the trick is finding people who have the vision to see how much better I am than many others out there, but who also have slightly deeper pockets!

I’m still new to this freelancing malarkey however, and I don’t know how picky I can afford to be and still pay the bills. Any advice out there?

xxx


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The Trouble with Freelancing Part 2*

Back to work with a vengeance this week!!

Back to work with a vengeance this week!!

Forgive me dear readers (and I know there are a few of you!). It has been an eon since my last blog post. This has been for a number of reasons.

1. My husband has been on annual leave and he’s been at home distracting me. It’s like being at work. If everyone else is having fun why can’t I?

After suffering a few days of burnout at any rate ...

After suffering a few days of burnout at any rate …

2. I think I suffer from burnout when I’ve been doing too much and so I don’t write for a few days until the pressure of a deadline forces me to park my bum and I start to write again. I had just completed 8 days straight of writing a huge batch of wellness articles so I was in need of a rest, and I was easily distracted by hubby

3. I started back at it on Sunday and have been completely full of beans! I have been doing 10+ hours per day. But I kind of think about my blog and go ‘nooooooooooooooo’ and then feel really guilty for not writing my own stuff.

Anyway, that’s by the by. I’ve had a funny old week so I thought I’d come and moan. I know you freelancers will sympathise.

I now have a business mentor as part of a Business in the Community initiative I’m part of. I’ve only met him once so far but I think it’s a great idea. He straight away said I was selling myself too cheap. The problem is that I use freelance websites to get work and you have to put a proposal in and bid. You say how much you’ll do the job for. Quite often the client tells you what they are prepared to pay. Sometimes there is a bit of a mismatch to say the least.

My mentor asked me what I thought I was worth and how much I wanted to earn per hour and we worked out what I should try and charge. He then told me that regardless of what the client says I should say ‘this is what I’m worth’ and then offer a discount if they want to negotiate. Fair enough. I’ve tried it with mixed results this week.

One job I got at the new higher rate. Boom! I was happy; the client was happy. The article was really good and I enjoyed writing it.

How much are you doing that job for?

How much are you doing that job for?

The second job was with a client in India. Let’s call him Raj. Raj had posted a job for 20 articles. I applied and sent samples and gave him a discount because it was a lot of work. I got an interview via Skype! Raj was really impressed with my blog work (this one and a few others I ghost write) and the articles I sent him. He loved my intimate and conversational tone. Hooray! It was all looking good. Then do you know what he did? He took the third cheapest bid. A British woman (living in the UK) who bid $50 for 20 articles! What is that? Not even £35? *Arrrgh*How can I compete? Does she not have a mortgage?

Ooops!

Ooops!

And finally today. I put a proposal in this morning for a red hot website that needed a blog writer, and you all know how much I like to write about sex. I sent some brilliant ideas through and I halved my hourly rate because I fancied doing this job so much, but nope… His feedback was ‘Thanks for your proposal and ideas. It sounds exactly what I am looking for. I have to be honest and say you are a little out on price compared to others.’ Sadly he only wanted to pay £7 per hour.

What’s a girl to do, eh?

Anyway I came across a blog post elsewhere, with a letter that someone wrote to their own clients that I want to share with you, so I shall post that here in a day or two. Keep reading and see you soon xxx

*I can see this being an ongoing saga, can’t you?
;-p